• S. Chatwood Burton, The Fall (detail), 1918

    Witness: On View at the Canadian War Museum

  • Cynthia Girard, Fraternité (detail), 2013

    Unicorns and Dictators at the Esker Foundation Contemporary Art Gallery

  • Takao Tanabe, Yellow Sky (detail), 1967

    An Interview with Takao Tanabe

  • Max Pohly, Police Dog Establishment in Kummersdorf, Germany (detail), c. 1915

    The Great War: On View at the NGC

  • Michel de Broin, Lost Object (2003–13)

    Comedy Meets Tragedy at Dunlop Art Gallery

  • Jimmie Durham, Encore tranquillité (detail), 2008)

    Jimmie Durham: Encore tranquillité

  • Tom Thomson, Sketch for The Jack Pine (detail), spring 1916

    Tom Thomson: The Jack Pine and The West Wind On View at the NGC

  • Installation Video: Gustave Doré

    Video: Gustave Doré, The Poem of the Vine

  • S. Chatwood Burton, The Fall (detail), 1918
  • Cynthia Girard, Fraternité (detail), 2013
  • Takao Tanabe, Yellow Sky (detail), 1967
  • Max Pohly, Police Dog Establishment in Kummersdorf, Germany (detail), c. 1915
  • Michel de Broin, Lost Object (2003–13)
  • Jimmie Durham, Encore tranquillité (detail), 2008)
  • Tom Thomson, Sketch for The Jack Pine (detail), spring 1916
  • Installation Video: Gustave Doré

Featured

Latest

  • Aerial Photography in the First World War

    If you were a First World War general poring over aerial photographs of enemy lines, how would you tell the difference between a genuine bomb crater and an artificially created one? The answer is that the artificially created bomb crater would be just a little bit too perfectly round, and would show no traces of an actual explosion. This is one of many questions answered in the fascinating book, The Great War Seen from the Air In Flanders Fields, 1914–1918.

  • The Proust Questionnaire: Takao Tanabe

    This month, celebrated West Coast painter and printmaker Takao Tanabe responds to NGC Magazine's version of The Proust Questionnaire.

Videos

  • Artist Interview: Vera Frenkel

    In this video, Vera Frenkel discusses her work ... from the Transit Bar (1992, reconstructed in 2014), on view at the National Gallery of Canada until August 17, 2014.

  • Gustave Doré: The Poem of the Vine

    Travel behind the scenes to see how the National Gallery of Canada installed The Poem of the Vine, a bronze sculpture measuring four metres in height and weighing 2.7 tonnes, on loan from the Fine Arts Museums of San Francisco.

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